She’s visiting a Country House somewhere in Great Britain, which she still insists on calling it.She knows about these places as she looks after one on a purely voluntary basis near her home in Norfolk, and tries to stop small children crawling over the fine furniture or bouncing on the four poster in the master bedroom. The bed would not survive the bouncing as it’s only the fact that the woodworm is holding hands that it stays together. She’s not sure of what to make of the recently acquired ‘art’ in this place but is told that it cost thousands, she’d prefer a Constable any day.
This is nothing to do with French bridge building, but my recent plans to revisit the work of Graham Laidler : Pont
Here’s an example of what he did about the British and below is my own version, but mine is just a rough for the time being. I’m trying to go through as many of his versions as possible and in this instance the drawings have a similar construction, as the subject leaves little to be updated really. Other subjects may well have changed. My exhibition is in August next year so I have plenty of time. Sometimes this is not a good idea as I have a tendency to leave everything to the last minute, and at times produce my better work when under pressure.
Anyhow, today was a simply beautiful sunny day here, bright blue skies and lovely sunshine all day, but cold. It would have been easy to use this good weather to go out for a random walk, but I kept my discipline and got on with the drawing. With Bruce Springsteen at some considerable volume the day has gone well.
Punch was a very well known magazine in the UK which was a haven for cartoonists and it was always my ambition in the early days to get something published in there. I managed it once when the magazine had a brief revival after going out of publication, and that was my Punch career over as it folded properly. Hopefully nothing to do with my contribution. Pont was popular when it was in it’s heyday, which I missed. However, it does seem to still exist on-line as a repository for a load of cartoons from it’s archives, so it’s still making money from the cartoons. I wonder if the cartoonists or their estates make anything? It would be good to think that they do.
Here’s my own modest take on the one above.
I hope to get that lovely feeling of light and dark into the final drawing. It will have the same title as the Pont version and an acknowledgement to him too.
More news on my exhibition will be posted as we get closer to the deadline.