These chaps above have all gone to new homes as well as the finished version of the one below. In many ways I prefer the one below to the final. I’m sure they’ve all gone to good homes. The bike drawing has been sold for charity, so I am particularly pleased about that. It was bought by a chap who’s friend is greatly into motorbikes. The charity that will benefit is Headway. This one’s for charity
Hoping for a fine day today so that I can find new homes for some of the others, but it’s been a good week anyway.
Interestingly, the drawing that has had the most reaction is the one on the poster below and still no one mentions the bear,like it’s normal to have a stuffed bear in the loft.
A quick tour of the exhibition.
Thanks to all those people who have dropped by in the last few days and to those of you out there worldwide who have dropped in here.
You can see more of what’s on in the show right here:My site where you can buy prints of many of the images that I have in the show.
I’m a big fan of art galleries and love to watch the watchers. In my quest to get together my exhibition about the British inspired by cartoonist “Pont” I’m working at present on the one featured below. The people looking at the art are at times as entertaining as what they are looking at. There’s usually a bloke of a certain age dressed with the cravat and matching floppy kerchief in the top pocket, a large woman who can be guaranteed to block out most of what’s on view as well as one who dresses in the same colours as the paintings, so has a tendency to look like a piece of artwork. “Certain Age Gentleman” is able to lean forward from a fixed spot as if his shiny brogues are nailed to the floor inspecting the detail of what he’s not understanding at all. Small boy is more interested in what’s up his nose than the valuable piece in front of him, the painting only serving to remind him what’s up there. There’s likely to be the odd Japanese person if this is in London, it’s on the itinerary of the group trip.
This is the first rough, the final artwork will be at my exhibition in August here in Cheltenham, I’ll be putting details on here as well as featuring a lot of the drawings, which might be described as art, “but not as we know it Jim?”
This will tell you more about “Pont” Pont: Graham Laidler, and the British Character
A quick aside from my musings on Greece and our trip to Spetses.
I’m working towards an Exhibition in August here in Cheltenham of drawings that go under the title of “The British Character”. This project was inspired by the finding of a small book that I found in a charity shop by the same name which had an intro by the late Alan Coren – now there was a funny man.The drawings in this book are by Pont, who’s real name was Graham Laidler. Mr Laidler was one of the country’s leading cartoonists in the late 1930’s and had a perceptive eye for the way of the British, as well as wonderful draughtsmanship skills. I have used his ideas as the basis for my own interpretations and drawings for the exhibition.
I thought it right in the circumstances that I might invite relatives of Pont to the Exhibition to see a modern take on his thoughts, so I embarked on a search to find them. Everyone I asked has been quick to respond but until today I have had little positive feedback. An email to the Cartoon Museum has today resulted in a positive response and someone who knows of living relatives. As I write I am waiting to see if there will be more, and if I am able to invite them down here in August. A big thanks to Anita O’Brien at the Cartoon Museum for her help.
I’ve never been to the Cartoon Museum, perhaps I should! Cartoon Museum in London
The British Character
A capacity for invention linked to great optimism
You can see some of Pont’s fine work here and even buy one of his originals.
Pont at Punch Chris Beetles Gallery
She’s visiting a Country House somewhere in Great Britain, which she still insists on calling it.She knows about these places as she looks after one on a purely voluntary basis near her home in Norfolk, and tries to stop small children crawling over the fine furniture or bouncing on the four poster in the master bedroom. The bed would not survive the bouncing as it’s only the fact that the woodworm is holding hands that it stays together. She’s not sure of what to make of the recently acquired ‘art’ in this place but is told that it cost thousands, she’d prefer a Constable any day.
This is nothing to do with French bridge building, but my recent plans to revisit the work of Graham Laidler : Pont
Here’s an example of what he did about the British and below is my own version, but mine is just a rough for the time being. I’m trying to go through as many of his versions as possible and in this instance the drawings have a similar construction, as the subject leaves little to be updated really. Other subjects may well have changed. My exhibition is in August next year so I have plenty of time. Sometimes this is not a good idea as I have a tendency to leave everything to the last minute, and at times produce my better work when under pressure.
Anyhow, today was a simply beautiful sunny day here, bright blue skies and lovely sunshine all day, but cold. It would have been easy to use this good weather to go out for a random walk, but I kept my discipline and got on with the drawing. With Bruce Springsteen at some considerable volume the day has gone well.
Punch was a very well known magazine in the UK which was a haven for cartoonists and it was always my ambition in the early days to get something published in there. I managed it once when the magazine had a brief revival after going out of publication, and that was my Punch career over as it folded properly. Hopefully nothing to do with my contribution. Pont was popular when it was in it’s heyday, which I missed. However, it does seem to still exist on-line as a repository for a load of cartoons from it’s archives, so it’s still making money from the cartoons. I wonder if the cartoonists or their estates make anything? It would be good to think that they do.
Here’s my own modest take on the one above.
I hope to get that lovely feeling of light and dark into the final drawing. It will have the same title as the Pont version and an acknowledgement to him too.
More news on my exhibition will be posted as we get closer to the deadline.
THE BRITISH CHARACTER
An innate ability to look forward with hope
My New Year’s resolution of “do some drawing every day” is being strictly adhered to. I was admonished the other day, good word that, better than being ‘told-off’. The reason was that I’d described my drawing as a rough, when the viewer thought it was finished. Well, in common with many other artists, one has never finished a drawing so they can all be described as rough. This is one such.
My journey for the year is to navigate towards a project about the British and I was inspired to start this by coming across a book about a cartoonist called ‘Pont’. His real name was Graham Laidlaw and he died quite young in 1940. A Punch cartoonist of some repute he specialised in drawings about the British and their ways of looking at life and living. He’s worth looking up on Wickepedia, his drawings are just lovely.
I’ll be following in his large footsteps and hoping to bring his ideas up to date. Some of them will not need a complete revamp as they are still as true today as they were 60 plus years ago. This drawing is the first to be done and wether or not it makes the final cut will depend on production over the next few months.
I’ll be dropping them into my blogs over the coming months and hope that you enjoy them.