I’m a big fan of art galleries and love to watch the watchers. In my quest to get together my exhibition about the British inspired by cartoonist “Pont” I’m working at present on the one featured below. The people looking at the art are at times as entertaining as what they are looking at. There’s usually a bloke of a certain age dressed with the cravat and matching floppy kerchief in the top pocket, a large woman who can be guaranteed to block out most of what’s on view as well as one who dresses in the same colours as the paintings, so has a tendency to look like a piece of artwork. “Certain Age Gentleman” is able to lean forward from a fixed spot as if his shiny brogues are nailed to the floor inspecting the detail of what he’s not understanding at all. Small boy is more interested in what’s up his nose than the valuable piece in front of him, the painting only serving to remind him what’s up there. There’s likely to be the odd Japanese person if this is in London, it’s on the itinerary of the group trip.
This is the first rough, the final artwork will be at my exhibition in August here in Cheltenham, I’ll be putting details on here as well as featuring a lot of the drawings, which might be described as art, “but not as we know it Jim?”
This will tell you more about “Pont” Pont: Graham Laidler, and the British Character
There’s also the person who, seeing you standing in front of a painting, comes and stands between you and it. Such people are surprisingly common at Tate Britain, I’ve found.
Indeed, there are plenty to do that.
Ha, ha! But not a one with a hand under their chin.
That’s it!