How much!!!!!!!!!??????

Bendover

I’m in the middle of getting together my exhibition stuff for August, and here’s one of the final pieces. If a cartoon can be called a “piece”. There I go again devaluing what I do. In the good old days when I was working for ad agencies and design companies these sorts of drawings were commissioned and the fee was based on the use it was put to. If it was a visual then you’d be lucky to get £60-00 for it, if it was used for editorial in a magazine then it could be less than that. On the other hand if it was used for a small ad campaign then the fee could be aropund £300-00 or more to include the rights to the drawing. For a big ad campaign it could go into four figures ( rare this! )  This was in the 80’s and in the heyday of illustration being commissioned, and I was lucky to have had my best years of illustration commissions then.

Now I’ve changed direction and I’m doing all my own ideas and will soon be publishing them as prints from my website and having an exhibition of the originals. This one is just  a sample of one of the prints on drawings about people with apt names, these two being Valerie Uptchuous and Benjamin Dover: Ballroom Dancing Champions. The original of this will be on sale at the exhibition, and this version as a print. Here’s another : Desmond Pratt

As someone who’s been ‘in the business’ for years I’m used to people saying ” How much!!?? ” when I tell them what I want for a drawing. This phrase is usually followed by the muttered, spluttered  “…but it will only take you a short time to do it” as if creative work should be charged by the hour like a taxi driver on a meter.

The point of this is “How much?” I want to sell them, and of course I have digital files of all of them and I’m not selling the rights to the images, just the orginal black and white artwork.

I guess I’ll find a way, or let the market decide as they say. We’ll see. I’ll be posting more on the exhibitoion as we get closer to it in August. Apart from the drawings about people with apt names, there will be a series about the British, see here for more about that: Pont: Graham Laidler, and the British Character  Indicentally I’m still trying to find living relatives of the esteemed “Pont” to invite them along to the exhibition, but no luck so far.

I’m looking forward to it myself. I’m looking for other venues around the country to show it too, so any suggestions on where I might be able to take it, then let me know. I’ve looked in London but my reaction when I saw what they wanted for the rental of a small exhibition space was “How much!!!!!!!??????”

 

Ye Olde Sunne Dryed Tomatoe

Visitors to this remote and historic ex-hostelry, far up in the hills where rivers rise, always used to enjoy looking at the old photographs on the wall. These reflected a bygone age when the local produce show was held here, customers formed football and darts teams and turned up in Toyota pick-ups.

Those were the days, my friends, when the pub was the social sine qua non of a scattered rural community. The community is still scattered but if anybody wants a pint now it has to be a widget tin from the supermarket down the valley; no pints have been sold at Ye Tomatoe for a twelvemonth.

Yes, in that short time Signor Pomodoro Lambretta, front of house, and Darren ‘Sharon’ Maclaren, chef, transformed the place. Before, you could only get bitter, lager, Guinness and two sorts of sandwich: cheese and pickle, or cheese. Under Pommy and Sharon, you could have Saltimbocca Siciliano, Fegato alla Milanese, Pavarotti alla Mariolanza and various fusion dishes, including Szechuan Ostrich Stroganoff and Thai Broken Harbour Soup with Wild Orkney Octopus. You washed these down with 35 different sorts of Bardolino and 27 of Frascati. If you got too merry you could have bed and full Italian breakfast for the price of a farm labourer’s week’s wages.

It was not long before the two proprietors discovered that Upper Weirdale was no place for a gastropub. Their loan was called in and they had to sell the place as a private house, so that was that.

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Another of the drawings featured in the book. Words by Mr Thorburn of course.

It’s that time of year when all the stats come out for the blogs and I note with some disappointment tinged with hope that the most popular blog was the one about my holidays in Crete

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and the next best was one announcing an exhibition of my wife’s paintings.

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Cartoons came a poor third! That aside I intend to persist. This site and the other one: unexpecteditems.com will hopefully develop over the coming year.

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I have a number of followers in Brazil, they seem to drop in every time I post so for them I have put this next paragraph through a translation sausage machine and hope that it works. Many thanks to our followers there.

Olá Brasil
parece que tenho seguidores no seu país e estou tendo esta oportunidade para agradecer-lhe para largar no site.Sinta-se livre para me acompanhar e passar no meu endereço do site aos seus compatriotas e mulheres. Saúdo-te para o seu senso de humor!
Que se refere ao
Paul Davies

Hanging pictures and a great day out.

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All the effort of the past months that my wife, Elisabeth Le Vierge has put into creating some really super paintings has come to fruition in an exhibition with other talented artists at the Garron Centre in beautiful Herefordshire.

http://www.llangarron.info

The centre is taking part in h-Art and Elisabeth is one of the guest artists.She’s been working on these for quite a while and it was great to travel to such a lovely part of the country to hang them in this brilliant venue.She’s exhibiting with quite a number of other artists at the centre and it’s on until this coming Sunday. It’s a great mix of talents and the work is varied and ( unlike my cartoons! ) colourful.

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I’ve had visits to this site in the past few weeks from Canada, the USA and a number of South American countries. Now some of you people out there might never ever have heard of Herefordshire, but believe me it is, when the sun shines and at this time of the year, one of the most beautiful places in the UK.

The exhibition on at the Garron Centre is actually attached to a small church in the middle of this rural hamlet which is spread out over quite a few miles. One would be forgiven for thinking that no-one would come to see art in an area like this, but the reverse is true.The people of Herefordshire seem to like their art and flock into the centre.

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http://www.elisabethlevierge.co.uk

Take a look at her website for more info on her work.